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Craft Talk

Every Story You Write

Every story you write, you create a tiny world of flora, fauna, animals, vegetables, minerals, emotions, colors, feelings, and so on. It doesn’t matter if it’s placed in a fantastically magical world, or if it’s in real time, in the real world. This universe’s time stream is entirely dependent on me. I can put up the Great Wall of China, I can tear it down, I can have wars fought, ships launched, hearts were broken, all with the flick of my fingers. I can fall in love, I can fall out of love, I can examine the reasons why love is love is love.

I’m of the mindset that freedom is born out of sadness. Sadness doesn’t have to be a bad thing but you’re freed once you realize where it comes from.

As a writer, worldbuilding is massive for me and a huge part of why I write, even if it’s a story set in the “real world” (whatever that is). I write short fiction. You must create tiny worlds in a finite amount of space regardless of the genre you write in.

It does tend to work against me, because all the novelists who critique my work whine and say, “this feels like a novel! Wah-wah-wah.” Well, it’s not, so give me feedback that I can actually use. Just because you think the world I created is massive does not make the finite room I used any less important. Which is what I felt like they were saying.

There is something powerful, God-like about thinking back on the hundreds of worlds I have created over the course of my life as an author. Some of them didn’t get past the preparation period. Some of them were too grandiose even for a novel-length piece.

I would plot out a beginning, a middle, and an end, but not actually foresee the end. I’m confident that the lack of an ending kills most of my stories in the planning stages. I love frolicking in these worlds but I get to maybe the middle part and have to second-guess myself. I’m like, “uh, yeah, this story is the pits.” My hands hover over the page and I mutter to myself,

I think that’s how God feels. You send these beautifully flawed creatures created in your image out into the world to do whatever they want, and all you can do is guide them and let them know in small ways that they exist. They’re real because they want to be.

I hold onto my stories in my vise-like grip a lot.

Like, a LOT.

I’m trying to be conscious of it and let it go. There is beauty in letting those stories and characters breathe and make their own decisions.

write on, Guilliean
write on, Guilliean

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Craft Talk

To outline, or not to outline, that is the question

Talk to a writer. Any writer at any point in their career: fledgling, published, J.K. Rowling. Each and every one of us will tell you a different thing about the writing process. One stickler that jumps out to me is to create an outline.

I’m chewing on Dani Shapiro’s “Still Writing: The Perils and Pleasures of a Creative Life” and what stuck out to me is that she offers a solid argument against outlines. In her “Structure” mini-chapter, she says that:

Outlines offer us an illusion that we are in control, that we know where we’re going. And while this may be comforting, it is also antithetical to the process of making work that lives and breathes.

There are so many arguments FOR outlines that reading her advocating AGAINST them was refreshing.

Other writers insist that any writer worth their salt MUST always have an outline. They tell you to use index cards, post-it notes, smoke signals. Use whatever you can, but write that outline!

I have found that outlines work against me. I use them, though sparingly. They’re not something I depend on as part of my writing process. As of this post, I have 11 outlines for different stories.

I’m not big on traditional outlines, with bullet points, Roman numerals and all that shit. I write it like a screenplay pitch. I paint enough of a picture so that my future self knows what I was thinking about doing in the first place. They’re not very long, maybe one or two pages. My longest pitch was for a trilogy of novellas at a whopping 4 pages.

I put enough words on the page to trigger memories of what inspired me to believe it would be a good story. I include barebones character descriptions, like names, ages, gender, relationships to the other characters, and their initial role in the story. I give myself a beginning, middle, and end to work towards, with plenty of room to veer off course as necessary.

I have yet to begin any of these 11 stories. I have no urgency to write to them. An outline to me is something to be studied and built on, but not right now. Procrastination is strong in me, as you can tell.

I like staring at a blank page and going completely nuts on it from beginning to the end. I’m confident enough in my abilities that writing this way works best for me. Is that first draft good? Hell no. First drafts are crap, everybody knows that. Fix it in post, as they say in the movies. Revision gives me life.

Hearing that another writer does it this way too made me feel less alone. Whenever my professors in my writing program gently insisted that we should write outlines because they do help, I shrank into a dark corner, thinking I was weird. I’m having a hell of a time incorporating what I learned there into my writing life.

I came out of my writing program with so many new, inventive ways to burn the toast that every writer before me has perfected in their own way that it’s these small reassurances that tell me I’m on the right path.

Today’s question: do you or do you not outline? Let me know in the comments!

write on, Guilliean
write on, Guilliean

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Craft Talk

33 Ways to Stay Creative

Sometimes, it’s hard to figure out how to stay creative. Us creative folks easily say, “I make things, yay!” But maintaining that vibe all the time seems like a job unto itself. This list has been helpful to me over the years, and I hope it’s of some use to you too.

  1. Make lists
  2. Carry a notebook everywhere
  3. Try freewriting
  4. Get away from the computer
  5. Be otherworldly
  6. Quit beating yourself up
  7. Take breaks
  8. Sing in the shower
  9. Drink coffee/tea
  10. Know your roots
  11. Listen to new music
  12. Be open
  13. Surround yourself with creative people
  14. Get feedback
  15. Collaborate
  16. Don’t give up
  17. Practice, practice, practice
  18. Allow yourself to make mistakes
  19. Go somewhere new
  20. Watch foreign films
  21. Count your blessings
  22. Get lots of rest
  23. Take risks
  24. Break the rules
  25. Do more of what makes you happy
  26. Don’t force it
  27. Read a page of the dictionary
  28. Create a framework
  29. Stop trying to be someone else’s perfect
  30. Got an idea? Write it down
  31. Clean your workspace
  32. Have fun
  33. Finish something

Save the image below to your computer and print it out. Post it up on your vision board. Put it in your notebook. Do what you can to incorporate it into your daily writing life. And I do mean daily.

Printable image of 33 ways to stay creative

How do you stay creative?

write on, Guilliean
write on, Guilliean

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Prompts

The arts are not a way to make a living

They say you should never meet your heroes, they’ll only let you down. But what if you write them a letter asking for advice and they throw this blisteringly awesome observation in your face? You don’t have an excuse NOT to get into the arts anymore.

It’s like damn, dropped the mic on y’all.

Here is a lesson in creative writing.

First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.

And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I’m kidding.

For instance, join the National Guard or the Marines and teach democracy. I’m kidding.

We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I’m kidding.

If you want to really hurt your parents, and you don’t have the nerve to be gay, the least you can do is go into the arts. I’m not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven’s sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.

Kurt Vonnegut

I’ll never be Vonnegut. I am me. I don’t write for the mainstream. I write for the dreamers, those who are off-kilter, for the kids who probably thought their whole life was doomed to be in the Upside Down. I probably won’t ever show up on the New York Times’ Bestseller List, and I’m okay with that. If my only goal was to be there, I could have written some piece of tripe a long time ago and been done with it. But I can’t and I won’t. I write for me.

Do you agree or disagree with Vonnegut? Let me know in the comments!

write on, Guilliean
write on, Guilliean

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Categories
Publishing

On Submitting to Literary Publications

I’ve got a whole process for putting submission dates into my Google Calendar because I have the memory of a sieve. If it’s not on my phone with an alarm, I will forget. Which sucks, but that’s smartphone addiction for you. I have the notification set for 1 week before, to give me time to revise whatever piece I planned to submit.

What I normally do is what I call “pre-research” publications: suss out their submissions page, see if they have a contest and get as much info as I can. If I think I have something in my wheelhouse that will vibe with them, I put it in my Calendar. If not, I move onto to the next. I have a template that I’ve modified as I’ve done this pre-research. If you’re a writer looking to submit, I suggest using it yourself, or modifying it to fit your needs:

Genre:
Fees:
Max Length:
Submissions URL:
Title(s):
Submission Date:
Accepted/Rejected:
Publish Date:

In time, I hope to start posting writing contests that I think people might be interested in. If you have any to share, please let me know in the comments!

write on, Guilliean
write on, Guilliean

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